Friday links! Grieving chimps edition

I had a picture of Halloween sausage costumes, but you know what's really spooky? We're all going to die eventually. Now go ahead, kids—take one piece of candy each.

I had a picture of Halloween sausage costumes, but you know what's really spooky? We're all going to die eventually. Now go ahead, kids—take one piece of candy each.

The photo at left was sent to me by alert reader Ben Fowlkes, whose near-constant cruising for chimpanzee snuff movies on the internet is interrupted only by his cruising for chimpanzee snuff porn movies on the internet. National Geographic published this photograph of Dorothy, a female chimpanzee in her late forties who died of congestive heart failure. According to the NGM blog, the other chimps in the Sanga-Young Chimpanzee Rescue Center gathered to watch her burial in eerie silence. “If one knows chimpanzees, then one knows that [they] are not [usually] silent creatures,” said photographer, center volunteer and typographical error Monica Szczupider. Dorothy was a maternal figure for many of the residents of Sanga-Yong, which rehabilitates chimps traumatized by habitat loss or the African bushmeat trade. It would appear that the chimps pictured above are grieving. Next time someone smugly refutes Darwin’s theory of species differentiation through natural selection by pointing out that his grandma wasn’t an orangutan, viewing this picture gives you legal grounds to slap him in the mouth.

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Virtual fashion economy booming, says virtual news story

In real life she's an utterly empty shrew, too, but she's kind of fatter.

In real life she's an utterly empty shrew, too, but kind of fatter.

The copy of a screenshot of the virtual version of a person at right is Angie Mornington, host of a weekly fashion show on Treet TV, the television station of the avatar-driven social networking platform Second Life. I find that sentence confusing, too. If you want to depress yourself, think about how 15,000 people a week use their fantasy lives in a 3-D computer world to watch television—and the virtual television equivalent of The Home Shopping Network, at that. If you want to depress me, point out how that’s about 300 times the readership of my blog.

All this information—okay, not the last sentence—comes from a trend piece in today’s Times about luxury spending in virtual worlds like Second Life, There.com and IMVU. For those of you unfamiliar with the ever-narrowing canyon between geek and sexual fetish culture that is Second Life, it’s a free-form, virtual world in which players own land and consumer goods, run businesses, interact socially and live out lies of computer-modeled desperation through their avatars, which are invariably both disturbing and attractive in roughly the same way as Angelina Jolie. Membership in these sites is free, but the money you spend there—Lindens in Second Life, Therebucks in There—has to be purchased with actual United States or foreign currency. Which—especially after you hear that such virtual worlds enjoy economies whose “avatar-to-avatar transactions [are] estimated at between $1 billion and $2 billion a year in real dollars,”—begs a question: Why?

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The Summer of Hate: Counterculture in 2009

Apparently if you go Hot Topic it's all Glenn Beck CDs and copies of The Wealth of Nations now.

Apparently if you go to Hot Topic it's all Glenn Beck CDs and copies of The Wealth of Nations now.

I was going to be angry about these kids, but one look at the profoundly sixteen-year-old-girl expression on that sixteen-year-old girl’s face and I didn’t have the heart. (If you’d like to get real sad, you can read a blog written by that poor girl’s mother, in which she calls Barbara Boxer a “moronic twit.” The badge on the right side indicates that she’s made the list of “best conservative blogs on the net,” which is apparently determined by total word count.) That’s her boyfriend on the left, proving again that teenage boys will do anything under certain conditions. And what are these desperate youths and the ragtag band behind them protesting for? Lower taxes on the rich, reduced social services, deregulation of business and conservative fiscal policy.

To hear Frank Rich tell it, protests like these are harbingers of a new era of cultural and political upheaval. Last weekend was the fortieth anniversary of Woodstock, which television raised me to believe was the most important moment of the 20th century. It turns out that was all to promote The Wonder Years, though, because this year’s commemoration was overshadowed by the season premiere of Mad Men. First of all, if you don’t watch Mad Men, you should start immediately. It is the Cadillac of television shows, or the Combat! blog of television shows in that Frank Rich and I agree with it more than anyone else in America. Second of all, Frank Rich is right. The year that resonates with our present cultural moment isn’t 1969; it’s 1963.

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And we do these things in unison: Los Campesinos! at 9:30 Club, Washington, DC

The camera phone was actually the only thing not moving,

The camera phone was actually the only thing not moving.

The Cure and I are crappy old people, so we arrived at the 9:30 Club in a cab, which dropped us at the curb next to a cluster of sad, hopeful-looking girls in pre-owned dresses. They watched the entry line in wan silence, crossing and re-crossing their arms and generally looking like recently fired librarians. A man with a clipboard came out to talk to them, apologized, and went back inside. A few minutes later they marched in, with an air of profound determination.

“Were those Los Campesinos! groupies?” I said.

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