Ann Powers on “nasty art”

Is this a man who does stuff on purpose?

I’m a big fan of Tracy Morgan, so I was chagrined to hear that he said a bunch of crazy homophobic stuff onstage in Tennessee last week. Now Tracy Morgan is bad, at least for a couple of months or until some other comedian does three minutes about loving poon and stabbing his hypothetical gay son. I have not seen video of the act in question, so I can’t say whether it was funny. Initial reports suggest it wasn’t, but who knows? Morgan is not exactly a comedian who works well in precis. The moral reprehensibility, on the other hand, is visible from a distance. While Funny is ephemeral and contingent, Immoral—along with its mumbling cousin, Wrong—is easy to discern. This presents a problem, however. Had what Morgan said been hilarious—like when he threatened to get various Chicago citizens pregnant in 2007—everything would have been cool, or at least arguably cool. It would appear, as Ann Power argued in 1997, that aesthetic standards can either damn or redeem transgressive art, whereas morality is unequipped to make such distinctions. As a result, moral standards are invariably an instrument of condemnation.

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