British author Geoff Dyer in a boat somewhere nice

Holy crap, you guys: Geoff Dyer, author of the masterful Out of Sheer Rage and a bunch of other rad books, now has a regular column in the New York Times Book Review. His inaugural piece is a brutal assessment of academic writing as perfected by Michael Fried, whose Why Photography Matters as Art as Never Before tells you what you need to know about the author’s prose pretty much from the title. If you take out the adverbial clauses, you’re left with “Photography Matters.” Also, when we’re talking about photography mattering as never before, we’re looking at a window of about 170 years, since it definitely did not matter before the invention of the daguerrotype camera. These flaws distract from the big fissure, though: Fried’s borderline compulsive tendency to say what he will set out to accomplish, recap what he has argued, explain what he is not saying, et cetera. Dyer does a fine job of eviscerating this convention of academic and critical writing, and in doing so indirectly indicts the cornerstone of writing instruction: the thesis statement.

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