Charlie Hebdo won’t draw Muhammad anymore

The prophet Muhammad receives his revelation from the angel in a 14th-century illustration.

The prophet Muhammad receives his revelation from the angel in a 14th-century illustration.

In an interview with the German magazine Stern last week, Charlie Hebdo editor-in-chief Laurent Sourisseau said his paper would no longer publish cartoons of the prophet Muhammad. You may remember Charlie Hebdo from January, when two Islamic militants attacked its Paris offices and killed 12 people. The paper has received an outpouring of support since then, including the sympathetic Je Suis Charlie movement and dramatically increased circulation. Also, its surviving staffers live under police protection, and pretty much every issue since the shootings has been an object of scrutiny. You can only make so many bold declarations of Enlightenment values against religious tyranny before you’re just exhausted. Over at Politico, though, Michael Moynihan argues that the terrorists won. He is probably right.

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Tim Kreider on the specious danger of Western art

The first cover of Charlie Hebdo since last week's attacks reads "all is forgiven."

The first cover of Charlie Hebdo since last week’s attacks reads “all is forgiven.”

Ben al-Fowlkes sent me this excellent essay by Tim Kreider, in which the former political cartoonist notes how much more dangerous art seems to be for Islamists and North Koreans than it is for anyone in the West. That’s good: most of the reason we’re not afraid of art is that our civil society is stable and well-developed, and we’re confident enough in our ideologies that we don’t have to silence anyone who suggests they’re flawed. But part of it, as Kreider points out, is that contemporary Western culture has made art frivolous and anodyne:

“In the mature democracies of the West, there’s no longer any need for purges or fatwas or book-burnings. Why waste bullets shooting artists when you can just not pay them? Why bother banning books when nobody reads anyway, and the national literature is so provincial, insular and narcissistic it poses no troublesome questions?”

Kreider is good at the relieved lament, and he finds in the international outrage at the Charlie Hebdo attacks “a small, irrational twinge of guilt that we’re not doing anything worth shooting us over.”

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It’s been a tough week for free speech in Europe

A cover from the French satirical newspaper Charlie Hebdo

A cover from the French satirical newspaper Charlie Hebdo

This morning, masked gunmen attacked the Paris headquarters of French humor publication Charlie Hebdo and killed 12 people, including the editor and four cartoonists who had depicted the prophet Muhammed. Although no one has yet claimed responsibility, the Times reports that “extremist groups applauded the violence, calling it revenge for the newspaper’s satirical treatment of Islam and its prophet.” At the risk of profiling, I’m going to say this was a radical Islam thing, because who else violently attacks funny newspapers? Western traditions have more respect for free speech. In unrelated news, the UK has arrested a series of people for praising jihad on Twitter and Facebook.

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