Shapiro on Colbert’s “vile political blackface”

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If you told me twenty years ago that conservative commenters would one day compare everything to the historical struggles of Jews and African Americans, I would have laughed and gone back to hacky sack. But here we are in 2014, and those right-wing pundits who are not still beating the straw man of political correctness are casting themselves as an oppressed people. Case in point: Ben Shapiro’s argument that The Colbert Report is analogous to a minstrel show. I quote:

This routine, in which Colbert plays at conservatism in order to portray it as unendingly ugly, should be labeled for what it is: vile political blackface. When Colbert plays “Colbert,” it’s not mere mockery or satire or spoof. It’s something far nastier.

Vile, I say—vile! Also, Shapiro put an enormous picture of a white comedian in blackface at the top of his column, because he had to.

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Friday links! Serve the humans edition

What's that? Do I hear pussy talk?

What’s that? Do I hear pussy talk?

Well, it happened: Health and Human Services Secretary Kathleen Sebelius resigned before I could record the rap lyric I serve humans like Kathleen Sebelius, / reading Jack Handy and Marcus Aurelius. She also resigned before I could design and construct the machine that would allow me to join the Beastie Boys in a time when that rhyme scheme was appropriate, but that’s the thing about building a time machine. You can finish it whenever.  Today is Friday, and we’ll bestow our gifts on the people when we damn well please. Won’t you do a basically adequate job of serving humanity with me?

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Close Readings: SC state senators prevent lesbian play

Leigh Hendrix as Butchy McDyke in How To Be a Lesbian In 10 Days or Less

Leigh Hendrix as Butchy McDyke in “How To Be a Lesbian In 10 Days or Less”

It’s good that South Carolina Upstate university has canceled its presentation of Leigh Hendrix’s one-woman show How To Be a Lesbian In 10 Days or Less, because now Hendrix won’t have to contend with people shouting “fewer!” whenever she says the title. Maybe that wouldn’t have been a problem at SC Upstate. Regardless, satirically-named South Carolina senator Mike Fair (R–Greenville) has convinced the university to shut down the satirically-named play, arguing that it was a recruiting tool for homosexuality. Fair, you fool—any theater on a college campus is a recruiting tool for homosexuality. Also, you played quarterback for the Cocks. But biography is orthogonal here. All we care about is the text, because it’s time for another Close Reading.

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Field-sized image of Pakistani child shames drone operators

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An enormous image of a child whose family was killed in a drone attack has been placed in a field in northwest Pakistan by a shadowy artist collective that has no name. Either that or Yahoo! has not seamlessly assumed the duties of a news-gathering organization. The point is that somebody put a big picture of an orphan in a field to shame drone operators. That somebody also created #NotABugSplat, which encourages people to think about the civilian casualties of drone attacks as something other than the operator slang from which #NotABugSplat is derived.

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Why won’t Rumsfeld admit he is bullshit?

Former Secretary of Defense Donald Rumsfeld describes a fish that there is no evidence he did not catch.

Defense Donald Rumsfeld describes a fish that there is no evidence he did not catch.

Donald Rumsfeld is closely associated with two memorable quotations. The first came during his evasion of a question about how (subtext: if) he knew that Iraq had weapons of mass destruction, when he said “absence of evidence is not evidence of absence, or vice versa.” It was an infuriating statement, partly because the vice-versa version is dumb but mostly because Carl Sagan used to say it about the existence of extraterrestrial life somewhere in the vast universe, not about a specific place where we had sent UN weapons inspectors. The second classic Rumsfeld quote is the infamous “known knowns” disquisition, in which Rumsfeld responds to a question partly by attacking the very concept of knowledge. It provided the title for Errol Morris’s new documentary The Unknown Known, which he will be very happy to discuss with your news outlet.

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