Trevor Goodchild confronts some dilemma or another in the “Thanatophobia” episode of Aeon Flux.
This country used to be well written, but I worry that we’ve jumped the shark. The soft-authoritarian security state plotline was interesting when we started it in the early part of the millennium, but it was the characters that made it. I liked watching everyone struggle with their new identities, whether they were willing to sacrifice freedom for security, and the hating/becoming hipsters B plot was fun. Lately, though, I feel like we’ve transgressed the bounds of psychological realism. “America” is becoming another sci-fi melodrama, with the principal characters veering off into behavior that just isn’t believable. Today is Friday, and what started as national character has become caricature. Won’t you turn a critical eye with me?
